

I have
always liked tinkering with music. Upon realising
this, my parents signed me up for piano lessons when
I was 8 or 9. I didn't really enjoy them though, and I
quit after a couple of years. I found that I just liked
to play around with a piano and do my own thing, not
learn to play other people's songs.
In 1995,
I discovered ABBA and quickly fell in love
with
their music and learned a lot about them. The more I
read about the songwriting of Andersson & Ulvaeus,
the more I wanted to follow my idols and compose my
own songs. In May of 1996, when I received a Yamaha
keyboard as a birthday and high school graduation
gift from my parents, my compositions
were unleashed.
By February
of 1997, after a lot of tinkering and a lot
of fun, I had produced my first CD, Reflections. The
sound quality left much to be desired, and the
arrangements were rough, but I think that initial
flow of creativity gave rise to some of the most
emotional and genuine material that I've written.
Production aside, I'm very proud of a few
of those melodies.

Before
Reflections was even packaged, I had
started writing more songs. I was composing like
clockwork in spring of 1997, churning them out
like a factory. I decided that I wanted to finish
another CD before I was to move to Ottawa in
July. The result was Vento -- an album with a
slower, more "mature" sound overall, and a
nature theme. It was ready just a few days before
the big move. Vento was written very quickly,
perhaps too quickly. I was composing faster than
I was getting inspiration, so I think those songs
have a little bit less of an original spark, although
my production technique had certainly improved.

Then I
took a break. For a while, I had no more
ideas for compositions. I figured that I had to
rest for a few months to let my creative juices
recharge. Those few months became quite a bit
longer, actually. In the year following the release
of Vento, I recorded only two or three songs.
In August
of 1998, I started playing with new
techniques involving computer technology. The
result was a lot of experimentation and a few
complete songs. Still though, I had no solid
plans for a third album.
In April
of 1999, I got a CD burner. That allowed
me to finish CDs at a very low cost, and meant that
I didn't have to wait to have enough material for
another album before releasing something. So, I
made a CD with two songs that I had composed
several months before, Urba Festo and Eki Suden,
along with a bonus track which is just a medley
of the songs on the Vento album. These two
songs mark a departure into computer-aided
more upbeat compositions.

I guess
this activity gave me another bit of
inspiration, because very soon after that, I
composed and recorded Kelkaj Tagoj (one of my
favourites) which I also released as a
single in April.

It's been
more than two years now since Vento,
but I don't think I've thrown in the towel. I'm still
experimenting and contemplating new releases
when I get the chance. My latest direction involves
sampling technologies, so there might be some
interesting possibilities on the horizon. I'm still
hoping to get around to a third album.
